- A supportive staff of teachers, administrators, department members, etc. I would hope to be in a community of educators that are focused on the students and their experiences while they are in school. I would hope to have an active, supportive team of administrators to support and back the educators within that school community.
- The appropriate resources to teach the curriculum and beyond to students. If I were lucky enough to have a "dream job", resources and supplies wouldn't be an issue, so that I may be able to teach concepts, artists, techniques, etc. in many different ways. Going along with the supportive team of department members, I know that it is a wonderfully valuable resource to have other members in the Art Department that you can bounce ideas off of, to get ideas to jump off of, and so on.
- Advanced and modern technology in the classroom.... aka SMART Board. In a perfect world, we would all have these SMART Boards to aid in our lessons, especially with all of the interactive websites and programs that are available to engage students into key concepts, vocabulary, demonstrations, and so on.
- My own classroom. I have been spoiled now that I have been able to work in two beautiful classrooms. I know that many art educators teach from an art cart and I can't imagine how hard that would be to stay organized, prepped and so on. I am used to having materials layed out before hand, my prep completed in the morning before I start my day with the students, and I know it is due to the amount of space I have been given to work in. It makes the lesson run smoothly, gives students stations to work at, to store materials, and so on.
- Opportunities to display my students' work in the community. I want to be an advocate for the arts as an educator. In my dream job, the arts would have the support of the community. I want to work with community businesses to set up art shows periodically throughout the school year.
The Calla Lilly Art Endeavors
About Art & Art Education
Wednesday, November 17, 2010
Professional Qualities of a Dream Job
Monday, November 1, 2010
www.kitingusa.com
Wednesday, October 27, 2010
A Brief Self-Introduction
These include:
- Forts and Hideouts Workshop- for children ages 5-8
- Summer Camp in Okinawa, Japan- all day camp with children ages 5-10, centered around constant activities, field trips, games and art projects 5 days per week for 10 consistent weeks.
- Classroom teaching experiences including Practicum in an Elementary setting, Methods in a High School setting for at risk teens, and Student Teaching in a Middle School and Elementary setting.
- Volunteer experiences in the Elementary and High School art room settings.
Friday, October 22, 2010
Clean Up Time Management-- Tricks or Treats -- Elementary Levels
When it is time to clean up, I use an attention getter. In a quiet voice: "If you can hear me clap once....twice....three times...." etc. until students quiet down. This is usually just for grades K-3. Other grades I say "Freeze, freeze, freeze" and they stop and listen. I give instructions for clean up and they don't move until I say "Go". Once students have cleaned up, they are instructed to get into a quiet line while they wait for their teacher to come pick them up from class. On their way out of class I play one of the toys.... right now it's a dancing skeleton that sings some funny song and they dance as they file out of the room.
It is a much easier process to get students at the K-5 levels to clean up than middle school students. Who would have known.
Thursday, October 21, 2010
Resources for the Elementary Art Room
- The Art Teacher's Book of Lists - Helen D. Hume
- Drawing in 3-D with Mark Kisler - Mark Kisler
- Andy Warhol 1928-1987 - Prestel
- Children and Painting - Cathy Weisman Tapal
- Instant Architecture - Eleanor Lynn Nesmith
- Instant Art History From Cave Art to Pop Art - Walter Robinson
- History of Art For Young People - H.W. Janson and Anthony F. Janson
- Hooked on Painting - Brooke
- Hooked on Drawing - Brooke
- Art Smart! - Susan Rodriguez
- Multicultural Art Activities Kit - Dwila Bloom
- Mathematics -Art Connections - SRA/McGraw Hill
- How to Draw and Paint People - Angela Gair
- Paint Adventures - Kathy Savage-Hubbard and Rose C. Speicher
Tuesday, October 19, 2010
Teaching Objective
- Students display and have attained a good understanding of vocabulary pertaining to techniques, artists, and materials in the art room. This knowledge of vocabulary is attained because of its usage in introductions, durations, and conclusions of all projects.
- Art advocacy. Students will gain an understanding of what it is to create and/or appreciate art that is created individually based, community based, etc. Art work produced by students will be displayed throughout the community.
- Students will have an understanding of the cultural and historical ties to projects assigned, art work displayed in class, techniques, etc.
- Students will be familiar with a wide variety of mediums.
- Students will be able to reflect on their own artwork and art work from other eras and cultures.
Monday, October 18, 2010
Monet's Garden---Lesson on Impressionism

Monet Garden—Sponge Painting
4th Grade Level
Project: Students will be introduced to the art of Impressionism. Students will explore and discuss the elements of art that are displayed in Monet’s paintings. We will begin by brainstorming ideas of man-made objects in gardens (i.e. bird baths, benches, pathways, fences, gates, etc.). All student work is required to have a path and fence; the students have to choice to include extra objects if so desired. Students will draw their stencils based on proportion of the object in the scene to the size of the paper (example shown and discussed in class) and then will cut out the stencils. Students will then apply the stencils to the paper with a removable glue stick. The next step is to start sponge painting. Students will use sponges attached to clothespins to apply paint to their paper. Q-tips will be used to depict smaller objects, such as flowers and birds. Once the paint has been applied to the paper, the stencils will be removed to reveal the negative spaces. Students then may to in and add details such as flowers and birds to the garden once removed. An example will be shown in class and details such as the placement of objects and shadows will be discussed. Students will be working with blue, yellow, green and red paint. Blues will be used to create shadows in the garden, yellows to create subtle highlights, and so on once the initial painting is completed. The concept to Impressionism will be discussed with class before the beginning of the project, and continuously emphasized throughout the duration of the project. This will help students to keep from getting too distracted by how they believe things should appear, and more focused on the art concept and what this type of approach does for the artist’s work, how it affects the audience and the overall mood of the piece.
Students will be able to:
· Demonstrate skillful and appropriate use of tools and materials
· Understand and identify the illusion of depth in artwork and architecture
· Produce works of art using a rich mixture of materials and techniques
· Discuss the effect color palettes have on works of art
· Discuss and understand the concept of Impressionism and the works created by artists during this period
Aesthetics/ Concepts/ Reflection
· Identify the elements (line, shape/form, color, texture, and space) in a work of art
· Discuss the built environment in aesthetic terms
· Understand and identify the illusion of depth in art works: overlapping, placement, size, color and detail
· Know and be able to use the appropriate vocabulary
· Identify Positive and Negative space in art work
· Use repetition and contrast to create movement and/or unity
Cultural/Historical
· Identify the work of various landscape artists
Production
· Use texture, shape/form, line and color in a work of art
· Demonstrate skillful use of tools and materials
· Demonstrate knowledge and ability in the purposeful use of a variety of media and materials
Materials
· 9 x 12” Canvas paper
· Acrylic paints: red, blue, yellow, green
· Sponges
· Clothespins
· Manila paper
· 10 x 13” No-fade construction paper (variety of colors)
· Scissors
· Q-tips
· Removable glue sticks
Vocabulary
· Contrast
· Distortion
· Landscape
· Positive and Negative
· Space
· Style
· Technique
· Two-dimensional
· Art Museum
· Canvas
Procedure
Day 1: Introduction to work of Impressionists
· Power Point displaying works of Monet and other artists famous for Impressionism
· Discuss characteristics of Impressionism with students
o Compare and contrast works of Realism and Impressionism—differences in styles, techniques, moods, etc.
· Introduce new project to students
o Expectations
o Requirements
o Time line of work to be done
o Show students an example of finished product
o Discuss where materials are located
· Discuss what makes a garden
o Man-made objects in a garden
o How to make stencils/what makes a stencil--silhouettes
· Students begin to make stencils
Day 2: Students continue/finish stencils
· Apply stencils to paper before sponge painting
· Demo for students how to paint with sponges—dabbing vs. painting
o How to use colors—shadows and highlights/stencils/how to make flowers and smaller objects with Q-tips
o Start to lay out landscape with paint
· Students work
Day 3: Reiterate--foreground, background, how to achieve depth
· Students work on landscape paintings
· Clean-up: Paintings on drying racks/paint brushes washed out/ materials put away in designated areas
Day 3: Students finish up paintings
· Show students how to finish their final product
o Matting on paper that compliments their painting
o Names
o Tags on art work
Day 4: Extra day to finish if needed
Resources
1. http://www.princetonol.com/groups/iad/lessons/elem/Pam-monet.htm
2. http://www.huntfor.com/arthistory/c19th/impressionism.htm
3. http://hubpages.com/slide/Impressionism/3946572
4. http://www.gettingtoknow.com/MonetAct.htm
5. http://www.gettingtoknow.com/videos.htm